Guava often relies on a colour palette with a tropical feel, which reflects the relaxed vibe on Penang Island where she grew up.
溫哥華與檳城可謂天各一方。儘管如此，生於檳城但現居於卑詩省的視覺藝術家Arty Guava仍喜歡在油畫及繪圖中加入穿著紗籠的女性，以表達故鄉優哉游哉的生活態度。
温哥华与槟城可谓天各一方。尽管如此，生于槟城但现居于卑诗省的视觉艺术家Arty Guava仍喜欢在油画及绘图中加入穿着纱笼的女性，以表达故乡优哉游哉的生活态度。Arty Guava（本名Lay Hoon Ho）透过Zoom视频会议向Pancouver说：「我经常使用的色调很有「热带」感觉，因为我的灵感源自我的认知和出生地。」
筹备多时的温哥华美术馆重建计划早前获得卑诗省政府另一笔5千万元的拨款，省政府先后合共为建造温哥华美术馆的新馆注资了1亿元。这项计划亦获得联邦政府拨款2930万拨款，以及1.9亿元的私人捐助（当中包括Audain基金会的1亿元和陈氏基金会的4千万元）。无可置疑，这幢价值不菲的新建筑物建成后将会成为温哥华的新建筑地标。
籌備多時的溫哥華美術館重建計劃早前獲得卑詩省政府另一筆5千萬元的撥款，省政府先後合共為建造溫哥華美術館的新館注資了1億元。這項計劃亦獲得聯邦政府撥款2930萬撥款，以及1.9億元的私人捐助（當中包括Audain基金會的1億元和陳氏基金會的4千萬元）。無可置疑，這幢價值不菲的新建築物建成後將會成為溫哥華的新建築地標。
Johnson Chow (周士心) is one of several Vancouver artists of Chinese ancestry whose work has been overlooked, according to Gabriel Yiu.
The VAG is presenting Guud sans glans Robert Davidson: A Line That Bends But Does Not Break until April 16, 2023.
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.