
VIFF announces juried Canadian and international film award winners
The VIFF Summit Award for Outstanding Canadian Narrative Feature went to Nina Roza—a compassionate story about the immigrant experience.

The VIFF Summit Award for Outstanding Canadian Narrative Feature went to Nina Roza—a compassionate story about the immigrant experience.

Yassine, a co-founder of the MENA Film Festival, has two big events on her calendar this week.

Asgari places an individual in conflict with forces far larger than himself in his new film.

The opening scene of First Comes Love: Nakabingwit, with a signature rom-com flavour, immediately hooked the audience.

Mardookhi, a Kurdish Canadian director, didn’t only want to focus on loss—he aimed to show what families did in response to this.

Abdullahi, a former youth worker of Somali ancestry, created Ibtisam as a hijab-wearing Muslim who is fun-loving and style-conscious.

Authoritarianism takes shape through gradual erosion of artistic freedom, individual rights, and institutional independence.

By shifting from festival-centric development to the creative Institute model, VIFF aims to become a more valuable resource to filmmakers.

Inay (Mama) director Thea Loo explores the fallout from the Live-in Caregiver program on her husband and a close friend.

在马来西亚编剧兼导演的王礼霖的影片《富都青年》中,两兄弟显得截然相反。 台湾明星吴慷仁饰演的阿邦是两人中那个有责任感的人。 尽管聋哑,阿邦仍渴望工作,他在吉隆坡富都区的菜市场做切肉工,接受着低廉的工资。










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This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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