
Akashi, “Year of the Dragon”, and “When the Blossoms Fade” win multiple Ovasian Awards
Other Ovasian Awards at the Vancouver Asian Film Festival went to Panta Mosleh’s Pride and Prayer and Jon Chiang’s Spring After Spring.

Other Ovasian Awards at the Vancouver Asian Film Festival went to Panta Mosleh’s Pride and Prayer and Jon Chiang’s Spring After Spring.

Sisiutl is a legendary two-headed serpent in Kwakwaka’wakw culture. It’s often represented in art with three heads.

在大多数城市,农历新年被视为中国、台湾、韩国和东南亚的庆祝活动。然而,在温哥华LunarFest Vancouver、城光艺境 (The Lantern City) 和 LNY Splash 展览活动中,情况显然不同。在2月9日(星期五)的开幕典礼上,主办人吴权益 (Charlie Wu) 谈到了包容的重要性,以及参与艺术家的多样性。

在大多數城市,農曆新年被視為中國、台灣、韓國和東南亞的慶祝活動。然而,在溫哥華LunarFest Vancouver、城光藝境 (The Lantern City) 和 LNY Splash 展覽活動中,情況顯然不同。在2月9日(星期五)的開幕典禮上,主辦人吳權益 (Charlie Wu) 談到了包容的重要性,以及參與藝術家的多樣性。

The Lantern City is at four locations, including Granville Island, whereas LNY Splash installations are presented in partnership with BIAs.

Luu has fond childhood memories of celebrating the arrival of the Lunar New Year in Vietnam, where it’s called Tết.

温哥华艺术家 Anita Ho 拥有丰富的想像力。因此,当她为名为《崛起 (Rising) 》的作品设计一条龙时,她让自己的创造力无限发挥。这引起了城光艺境 (The Lantern City) 展览主办单位的注意,该展览每年于温哥华举行,以庆祝农历新年。

溫哥華藝術家 Anita Ho 擁有豐富的想像力。因此,當她為名為《崛起 (Rising) 》的作品設計一條龍時,她讓自己的創造力無限發揮。這引起了城光藝境 (The Lantern City) 展覽主辦單位的注意,該展覽每年於溫哥華舉行,以慶祝農曆新年。

Anita reflected on how the exhibition’s theme, “Born to Be Free”, manifested itself in her own life as a professional artist in Vancouver.









The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Independent arts journalism needs readers like you!
If you value stories like this, please consider supporting Pancouver.