Pancouver-Logo

Become a Cultural Navigator

Become a Cultural Navigator

Weiye Su creates “A Passage Beyond Fortune” as a response to distorted history of Chinese Canadians

A Passage Beyond Fortune
The Chows and director Weiye Su sit at a table with many photo albums in "A Passage Beyond Fortune".

Toronto filmmaker Weiye Su opens his 16-minute documentary, “A Passage Beyond Fortune”, with a personal reflection as narrator.

“Someone once told me in Saskatchewan, every town has a Chinese restaurant and story,” the former Regina resident says in the National Film Board production.

Su, an immigrant from China, then talks about an urban myth that arose that in Moose Jaw. This came about after tunnels were discovered beneath the downtown in the 1980s.

According to an urban legend, Chinese immigrants lived underground in these passageways. Moreover, they were kept there so they could toil for white business owners and avoid detection by immigration authorities.

“In 2000, a tour company began selling this story,” Su continues. “It became an attraction to learn about Saskatchewan’s history. After the tour, I felt ashamed and disrespected. I wondered what the Chinese community had to say.”

It turns out that this tale was riddled with inaccuracies.

Su’s film, “A Passage Beyond Fortune”, doesn’t take viewers inside the tunnels. Nor does it detail all the historical shortcomings in The Tunnels of Moose Jaw’s Passage to Fortune tour. For that, people need to watch Historia Nostra’s 2020 YouTube video, “Chinese Canadian ‘History’ at the Tunnels of Moose Jaw”.

Rather, what Su delivers in his gentle yet biting film is the authentic history of one Chinese immigrant family to Moose Jaw. It serves as a microcosm of the broader story of the city’s Chinese community, which overcame adversity and discrimination and still managed to succeed.

A Passage Beyond Fortune, Weiye Su, provided by the National Film Board of Canada

Su shares parents’ stories

In 1951, Gale Chow moved to Canada at the age of 14.

Gale met his wife, Myrna, as a result of her grandfather. He was living in Churchill and decided that Gale would be a good husband for her. So she was brought over from Hong Kong. Gale went on to became a leader in Moose Jaw’s Chinese community.

Late in life, he and his wife moved to Regina to join their son, which is shown in the film.

The Chows come across as a thoroughly decent and humble couple who maintained their dignity—and sense of humour—in the face of considerable challenges.

Here’s Gale’s quip about being asked why he married a woman he had never met before.

“Chinese marriage [is] like boiling water,” he says. “It starts a bit cold and then gradually getting hot. Ha ha.”

Unlike what was depicted in The Tunnels of Moose Jaw tour attended by Su, many early Chinese immigrants to the city were successful in business. Su, as narrator, declares that they worked for themselves.

“What I saw in the Tunnels was far away from their stories,” he says.

Film focuses attention on Chinese exclusion

The Chows were only able to immigrate to Canada because of the lifting of Chinese exclusion legislation following the Second World War. And Su lays out how the 1923  Chinese Immigration Act kept Chinese families apart for more than two decades.

“Telling our stories allows us to reclaim history and make space for generations to come,” the filmmaker states.

It also helps debunk popular myths about the community that paint a distorted picture.

It’s a timely message as Canada approaches the 100th anniversary on July 1 of the enactment of the Chinese exclusion law. For most Canadians, it’s known as Canada Day. But some in the Chinese community still refer to it as Humiliation Day for reasons that Su makes so easily understood in his documentary.

Follow Pancouver on Twitter @PancouverMedia.

Take Action Now

Pancouver fuels creativity and promotes a more inclusive society. You can contribute to support our mission of shining a spotlight on diverse artists. Donations from within Canada qualify for a tax receipt.

Share this article

Subscribe

Tags

Related Articles

Support us

Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.

We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.

Support us

Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them. 

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.

© 2023 The Society of We Are Canadians Too Privacy Policy | Terms and Conditions

We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.