
《修復之工:溫哥華博物館的平反與歸還》聚焦原住民文物歸還行動
溫哥華博物館(Museum of Vancouver,簡稱 MOV)在推動與原住民族的和解上,做出了一項值得肯定的壯舉。這座位於 Vanier 公園、擁有 131 年歷史的機構,近年來在將原住民族文物與祖先遺骸歸還給原住民族社群的行動上,始終走在前線。

溫哥華博物館(Museum of Vancouver,簡稱 MOV)在推動與原住民族的和解上,做出了一項值得肯定的壯舉。這座位於 Vanier 公園、擁有 131 年歷史的機構,近年來在將原住民族文物與祖先遺骸歸還給原住民族社群的行動上,始終走在前線。

法國攝影師兼街頭藝術家 JR 曾說過,「藝術不應該改變世界,改變實際事物,而應改變觀念。」一個生動的例子是保羅·畢卡索(Pablo Picasso)的作品《格爾尼卡》(Guernica)。這幅令人震驚的畫所描繪的苦難對人們如何看待西班牙內戰有著深遠影響。然而,這幅畫並沒有改變其結果。

在2010年,一位名叫姚瑞中 (Yao Jui-Chung) 的教授展開了一項非凡的藝術計劃。這位居住在台北的教育家和藝術家給了他在台灣師範大學 (Taiwan Normal University) 美術系的學生一項抉擇。

大多數人可能想不到 Mauro Vescera 是一名改革者。實際上,這位親切又雄辯的溫哥華博物館執行長擁有著一份相當豐富的學術經歷,使他在傳統體制內站穩腳步。




The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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