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Tag: 溫哥華美術館

Fred Wilson

溫哥華美術館《白之觀念》展覽勇於挑戰文化消滅的意識形態

卑詩省的主流媒體幾乎從不關注白人議題。然而,最新的溫哥華美術館展覽《白之觀念(Conceptions of White)》可能會改變這一現狀。由 John G. Hampton 和 Lillian O’Brien-David 聯合策劃的《白之觀念》展覽深入探討白人身份和族群如何形塑世界。根據 O’Brien-David 的說法,這項展覽「提供了詳細的文化背景和細膩的見解,幫助大眾理解當代白人身份的不同面向」。

Two Taiwanese Indigenous artists, Anchi Lin [Ciwas Tahos] and Vava Isingkaunan, stand on a spiral staircase looking to the bottom left of the frame.

沉重的歌聲,不變的血統 — 對身份的反思

家族背景對一個人的影響有多深?到底身份是你的包袱,抑或支撐著你的基礎?4月2日,兩名台灣原住民藝術家進行了意味深長而莊嚴的演出,以回應溫哥華美術館名為Guud san glans Robert Davidson: A Line That Bends But Does Not Break的展覽。林安琪(Ciwas Tahos)是泰雅族的藝術家,而簡志霖(Vava Isingkaunan)則是布農族的表演者。兩人透過歌聲、傳統樂器和語言上演了一場土地確認(land acknowledgement),表達他們獲邀到此的榮幸,以及在這段期間多加學習的意願。

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.

We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.

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We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.