Tag: 溫哥華PuSh國際表演藝術節

Jaha Koo

PuSh藝術節:具滋昰於《韓國西方劇場史》探討文化帝國主義如何影響國家認同

藝術家具滋昰 (Jaha Koo) 專注於探索帝國主義對他的祖國南韓的影響,並以此建立了自己的表演藝術事業。在與《Pancouver》的 Zoom 訪談中,這位目前居住於比利時的劇場創作者兼作曲家回憶起2008年的一段深刻的文化失調經歷,這啟發了他的多媒體表演《The History of Korean Western Theatre(韓國西方劇場史)》。該表演將於1月23日和24日,作為溫哥華PuSh國際表演藝術節 (PuSh International Performing Arts Festival) 的一部分登台演出。

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.

We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.

This project is funded in part by the Government of Canada.

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.

We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.

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