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Tag: 迁徙之后

Huei-Ting Tsai

竹艺师蔡惠婷透过钻研、知识传承及大量手艺活,振兴一门濒临消失的传统工艺

在西方世界经营竹林可能看似不寻常,但在台湾南部,竹艺师蔡惠婷在她的协作园区中拥有超过200种竹子。这为她和其他工匠提供了各种竹子的广泛选择,以用于他们创作的产品。「我们根据使用功能挑选最适合的竹子种类,」蔡惠婷以中文告诉《Pancouver》。「每种竹子都有不同的特点。」蔡惠婷来自台南。台南曾经是台湾竹编产业的繁荣中心。在1895年到1945年的日本殖民时期,政府将曾是一门专业工艺的竹藤编织转变为工业发展的重心。

Chienhua

缠花艺术家陈惠美展现了台湾族群丰富多样的传统及文化

陈惠美运用她作为一名缠花工艺师的巧手,为新人们创造了幸福的回忆。此外,她精心设计的作品反映了她的故乡-台湾不同族群的传统和文化,体现了这个岛屿的丰富面貌。在中文口译Ann Fu的帮助下,陈惠美向Pancouver谈到了她的艺术形式-缠花,是一种结合了剪纸、缠绕及刺绣技巧的工艺艺术。在访谈中,她指着各种反映客家缠花、闽南缠花和金门吉花特色的作品,说道「这些都是传统上在婚礼中使用的,蝴蝶象徵着生育。」

Imay Apong

伊麦・阿蹦在台湾文化节艺术展『迁徙之后』中透过轮伞草纤维编织传达原住民故事

阿美族人和大多台湾人的取名习惯不同,在他们的语言中,阿美族不问姓氏,而是问你是谁的孩子。伊麦・阿蹦的姓是她的祖母的名字-阿蹦,而她多用她的名字-伊麦来称呼自己。这个部落的族人称自己为「邦查(pangcah)」,而「阿美(Amis)」更像是一个外族人对他们的称呼。

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.

We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.

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We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.