
《唐人街大奮鬥》的導演Karen Cho記載了社會倡議者如何為舊街區注入新活力
滿地可電影製片人Karen Cho 將加拿大的唐人街視為具有多層含義的地方。 由於歧視性的人頭稅和排華立法,這些街區曾是華裔單身漢的避風港。經歷了150 多年的風雨洗禮,這些街區仍存在於包括溫哥華在內的一些城市裡。

滿地可電影製片人Karen Cho 將加拿大的唐人街視為具有多層含義的地方。 由於歧視性的人頭稅和排華立法,這些街區曾是華裔單身漢的避風港。經歷了150 多年的風雨洗禮,這些街區仍存在於包括溫哥華在內的一些城市裡。

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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