A movie inspired by Simon Fraser University English professor David Chariandy’s second novel won the most screen awards of any film.
「妈，我想要吃跟别的孩⼦⼀样的午餐。」 就这么⼀个看似简单的要求，尽管得到了⺟亲的⾸肯，但从银幕上这位⺟亲的表情可以看出她内 ⼼有多难过。我亦随即回想起在⾃⼰八岁的时候，曾经向⺟亲作出同样的要求。我不禁好奇，⺟ 亲她当时是否与获奖家庭剧情片《Riceboy Sleeps》的主⾓So-young⼀样的表情。
「媽，我想要吃跟別的孩⼦⼀樣的午餐。」 就這麼⼀個看似簡單的要求，盡管得到了⺟親的⾸肯，但從銀幕上這位⺟親的表情可以看出她內 ⼼有多難過。我亦隨即回想起在⾃⼰八歲的時候，曾經向⺟親作出同樣的要求。我不禁好奇，⺟ 親她當時是否與獲獎家庭劇情片《Riceboy Sleeps》的主⾓So-young⼀樣的表情。
What seems like a simple request feels devastating as if unfolds on the screen, watching the mother’s face fall even as she agrees.
Shim describes his acclaimed film, which was mostly shot in the Vancouver area, as a story of a mother and son searching for a home.
温哥华导演兼编剧Anthony Shim（심명보）作品《Riceboy Sleeps》初段的一幕令人印象深刻。一名蓝领工厂工人拍打了韩裔单亲母亲So-Young（由Choi Seung-yoon ［최승윤］饰演）的臀部后，她立刻与身形远较她魁梧的男子对质。
溫哥華導演兼編劇Anthony Shim（심명보）作品《Riceboy Sleeps》初段的一幕令人印象深刻。一名藍領工廠工人拍打了韓裔單親母親So-Young（由Choi Seung-yoon ［최승윤］飾演）的臀部後，她立刻與身形遠較她魁梧的男子對質。
Dohyun Noel Hwang (above) is one of two actors who plays Dong-Hyun, one of the main characters in Anthony Shim’s Riceboy Sleeps.
Anthony Shim, the writer-director of the poignant B.C. film about a Korean single mom raising her son, received three of those nominations.
一套卑诗省电影夺得六项加拿大银幕奖（Canadian Screen Awards）提名，当中包括最佳电影奖，其内容是关于一名韩国单亲母亲含辛茹苦在加拿大养育孩子的经历。
《Riceboy Sleeps》的剧本部份是根据温哥华演员、编剧兼导演Anthony Shim的童年编写而成。在电影的六项提名中，他囊括了最佳导演、原创剧本和最佳剪辑奖三项提名。除了担任电影导演和编剧之外，Anthony更饰演了Simon这个角色。电影分别在温哥华及南韩取景。
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
