After the president-elect promised a 25-percent tariff on Canadian imports, B.C. officials hope to boost trade across the Pacific Ocean.
In a digital revolution turning established narratives on their head, the countryside China is emerging as an epicentre of viral content.
大家或许听过一个中华民国的「国语」如何制定的故事。中华民国成立时，政府要选一个方言做为国语，当时北京话已经通行全国，自然成了首选。然而，因为首创革命的中山先生是广东人，所以部分人士支持以广东话为国语。双方僵持不下，只好投票决定。最后广东话输了一票，所以国民政府就采用北京话为国语。真的假的？这篇就来谈谈这段现代汉语发展的往事，一探关于制定国语的传说。
大家或許聽過一個中華民國的「國語」如何制定的故事。中華民國成立時，政府要選一個方言做為國語，當時北京話已經通行全國，自然成了首選。然而，因為首創革命的中山先生是廣東人，所以部分人士支持以廣東話為國語。雙方僵持不下，只好投票決定。最後廣東話輸了一票，所以國民政府就採用北京話為國語。真的假的？這篇就來談談這段現代漢語發展的往事，一探關於制定國語的傳說。
A former professor explains how the republican government of China settled on a standard language in a country with hundreds of dialects.
Author Joseph Nye defined has soft power as “the ability to obtain preferred outcomes by attraction rather than coercion or payment”.
En 2014, la journaliste Coréene-Américaine Euny Hong a écrit un livre éclairé à propos d’un des pays plus innovatifs du monde.
2014 年，韩裔美国记者 Euny Hong 写了一本解析世界上最具创新力的国家之一的书：《The Birth of Korean Cool: How One Nation is Conquering the World Through Pop Culture》（韩国「酷」的崛起：一个国家如何透过流行文化征服世界），追溯韩国如何成为世界娱乐大国，那是透过努力，想像力和明智的政策实现的。
2014 年，韓裔美國記者 Euny Hong 寫了一本解析世界上最具創新力的國家之一的書：《The Birth of Korean Cool: How One Nation is Conquering the World Through Pop Culture》（韓國「酷」的崛起：一個國家如何透過流行文化征服世界），追溯韓國如何成為世界娛樂大國，那是透過努力，想像力和明智的政策實現的。
A leading voice on Canada’s Asia engagement, Evans reflects on his 43-year adventure in academia and foreign policy advisory work.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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