在70年代，当实验性跨领域艺术家兼策展人Paul Wong想要表达自己时，他经常将镜头对准自己。 例如，他的作品《60 Unit; Bruise》（60 单位；瘀伤）（1976）。Wong的朋友兼合作者Kenneth Fletcher在影片中从他的手臂中抽出了 60 单位的血液，并将其重新注入他的肩膀。
The Richmond Art Gallery presents Unit Bruises: Theodore Wan & Paul Wong 1975 – 1979 and The Marble in the Basement until June 30.
在70年代，當實驗性跨領域藝術家兼策展人Paul Wong想要表達自己時，他經常將鏡頭對準自己。 例如，他的作品《60 Unit; Bruise》（60 單位；瘀傷）（1976）。Wong的朋友兼合作者Kenneth Fletcher在影片中從他的手臂中抽出了 60 單位的血液，並將其重新註入他的肩膀。
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
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We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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