Ukrainian concert pianist Anna Sagalova, violin prodigy Arianna Stott, and family folksinger Ginalina will all perform on the Orpheum stage.
Ovi Mailhot在十年前從來沒有想過自己會成為膾炙人口的海岸薩利希族（Coast Salish）藝術家。當時，這名海鳥島（Seabird Island Band）居民是一名工業油漆工人。對他來說，這是一份不錯的工作，除了薪金優厚外，工時也很適合他。
Ovi Mailhot在十年前从来没有想过自己会成为脍炙人口的海岸萨利希族（Coast Salish）艺术家。当时，这名海鸟岛（Seabird Island Band）居民是一名工业油漆工人。对他来说，这是一份不错的工作，除了薪金优厚外，工时也很适合他。
A decade ago, Seabird Island Band member Ovi Mailhot never imagined he would become a much-in-demand artist.
來自里賈納的退休教師Phyllis Poitras-Jarrett不單希望創作優美的藝術品，更嘗試透過兔子，水牛、地鼠和其他動物的畫作，鼓勵觀賞者思考生物多樣性，以及她的梅蒂（Métis）文化。Phyllis在家中透過Zoom視訊會議向Pancouver表示，自己從小熱愛藝術，而且頗具天份。
来自里贾纳的退休教师Phyllis Poitras-Jarrett不单希望创作优美的艺术品，更尝试透过兔子，水牛、地鼠和其他动物的画作，鼓励观赏者思考生物多样性，以及她的梅蒂（Métis）文化。Phyllis在家中透过Zoom视频会议向Pancouver表示，自己从小热爱艺术，而且颇具天份。
The Regina-based educator’s paintings of animals include bead patterns, which is one way in which she represents her Métis heritage.
夸夸嘉夸族（Kwakwaka’wakw） 藝術家 Richard Hunt的成就煇煌。曾獲頒授加拿大勳章和卑詩勳章的他，在青少年時期成為皇家卑詩博物館（Royal B.C. Museum）的雕刻學徒，而他的導師正是同樣為非凡藝術家的父親Henry。
夸夸嘉夸族（Kwakwaka’wakw） 艺术家 Richard Hunt的成就煇煌。曾获颁授加拿大勋章和卑诗勋章的他，在青少年时期成为皇家卑诗博物馆（Royal B.C. Museum）的雕刻学徒，而他的导师正是同样为非凡艺术家的父亲Henry。
Hunt, a member of the Order of Canada, is one of several high-profile artists whose work will be featured in the Lantern City exhibition.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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