
Châu Kim-Sanh 于《Bleu Néon》中以越侨视角探讨离乡怀旧、语言流失与性别物化的议题
编舞家、舞者及电影制作人 Châu Kim-Sanh 正在努力以亚裔侨民的身份发声。她出生于法国,父母是越南人,并在 25 岁时移居加拿大。这让她成为所谓的越侨 (Việt Kiều) 的一员——即那些生活在越南以外的越南人。许多越南裔移民对祖国仍怀有深厚的情感。

编舞家、舞者及电影制作人 Châu Kim-Sanh 正在努力以亚裔侨民的身份发声。她出生于法国,父母是越南人,并在 25 岁时移居加拿大。这让她成为所谓的越侨 (Việt Kiều) 的一员——即那些生活在越南以外的越南人。许多越南裔移民对祖国仍怀有深厚的情感。

谭亦斯 (Nancy Tam) 在安大略省康山 (Thornhill) 的一个学校操场上培养了对声音体验的热爱。这位温哥华的声音与表演艺术家10岁时,作为从香港移民到加拿大的一员,首次接触到如此宽广的开放空间。

跨学科表演艺术家与作家 Ray Young(they/them)非常珍视让人能够全然表达自我的安全空间。事实上,这位居住于诺丁汉的《OUT》导演将为因交叉身份而感到边缘化的艺术家和观众创造空间,视为其使命。

11月19日,艺术愿景家 Norman Armour 在温哥华辞世,引起了广泛的关注和回忆。身为PuSh国际表演艺术节的联合创办人、艺术和执行总监,他不仅在温哥华成功举办了多场具有文化意义的活动,赢得了应有的赞誉,更积极推动了亚洲和温哥华文化制作人之间的长期合作。




The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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