
Châu Kim-Sanh 於《Bleu Néon》中以越僑視角探討離鄉懷舊、語言流失與性別物化的議題
編舞家、舞者及電影製作人 Châu Kim-Sanh 正在努力以亞裔僑民的身份發聲。她出生於法國,父母是越南人,並在 25 歲時移居加拿大。這讓她成為所謂的越僑 (Việt Kiều) 的一員——即那些生活在越南以外的越南人。許多越南裔移民對祖國仍懷有深厚的情感。

編舞家、舞者及電影製作人 Châu Kim-Sanh 正在努力以亞裔僑民的身份發聲。她出生於法國,父母是越南人,並在 25 歲時移居加拿大。這讓她成為所謂的越僑 (Việt Kiều) 的一員——即那些生活在越南以外的越南人。許多越南裔移民對祖國仍懷有深厚的情感。

譚亦斯 (Nancy Tam) 在安大略省康山 (Thornhill) 的一個學校操場上培養了對聲音體驗的熱愛。這位溫哥華的聲音與表演藝術家10歲時,作為從香港移民到加拿大的一員,首次接觸到如此寬廣的開放空間。

跨學科表演藝術家與作家 Ray Young(they/them)非常珍視讓人能夠全然表達自我的安全空間。事實上,這位居住於諾丁漢的《OUT》導演將為因交叉身份而感到邊緣化的藝術家和觀眾創造空間,視為其使命。

11月19日,藝術願景家 Norman Armour 在溫哥華辭世,引起了廣泛的關注和回憶。身為PuSh國際表演藝術節的聯合創辦人、藝術和執行總監,他不僅在溫哥華成功舉辦了多場具有文化意義的活動,贏得了應有的讚譽,更積極推動了亞洲和溫哥華文化製作人之間的長期合作。




The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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