The brick crosses in The Mush Hole represent the architecture of colonialized residential schools in which students were reduced to numbers.
Payette, co-founder of the Transform Festival, says that this show is about the legalities of land, but it’s paired with identity issues.
The Cultch and Urban Ink will present the world premiere of Homecoming at the Historic Theatre in East Vancouver from May 2 to 12.
According to TRANSFORM co-curator Corey Payette, the event encourages collaboration between Indigenous and non-Indigenous artists.
Payette, a member of the Mattagami First Nation with French Canadian and Irish ancestry, says it has a contemporary musical-theatre sound.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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