黃瑞儀透過《黃色服飾》在列治文美術館探討東方主義
Mei-Chen Chen
April 11, 2025
經過數十年的藝術創作及在康考迪亞大學任教，黃瑞儀 (Mary Sui Yee Wong) 依然不習慣成為鎂光燈的焦點。個性內向的她，更喜歡創作雕塑、攝影、影像、服裝或公共藝術，而不是在人群中穿梭。
Tag: 列治文美術館
列治文美術館展覽《親愛的塑膠》：探討無所不在且難以避免的材料
Mei-Chen Chen
January 15, 2025
列治文美術館 (Richmond Art Gallery) 即將推出兩個全新以環境為主題的展覽。其中，《Dear Plastic（親愛的塑膠）》由 Zoë Chan 策劃，這是一場群展，展出 Ari Bayuaji、Emily Hermant、Caroline Monnet、Alex Tedlie-Stursberg 及 Cheryl Wong 的作品。Chan 是列治文美術館的策展人。
袁慧嫻以超過200件版畫在列治文美術館重現歷史悠久的「同和雜貨店」氛圍
Mei-Chen Chen
November 13, 2024
溫哥華藝術家袁慧嫻 (Marlene Yuen) 形容自己是一位說故事的人。這位英屬哥倫比亞大學的畢業生經常透過結合文字與圖像，利用漫畫、版畫和書籍來呈現加拿大華人的歷史。
黃瑞儀透過《黃色服飾》在列治文美術館探討東方主義
Mei-Chen Chen
April 11, 2025
列治文美術館展覽《親愛的塑膠》：探討無所不在且難以避免的材料
Mei-Chen Chen
January 15, 2025
袁慧嫻以超過200件版畫在列治文美術館重現歷史悠久的「同和雜貨店」氛圍
Mei-Chen Chen
November 13, 2024
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.