
香港版畫家 Phemie Chong 期待在溫哥華藝術書展(Vancouver Art Book Fair)上展出迷你小誌(Zine)與其他作品
Phemie Chong 12 歲時移民英國,在英國居住期間,她一度以為這輩子都不會再接觸與版畫有關的事物。然而,生活有時會帶來意想不到的驚喜。在愛丁堡學習版畫後,Phemie 搬到布達佩斯,並在那裡遇見了來自澳洲的丈夫。後來,他們一起搬到香港,她發現香港幾乎沒有人販售手工版畫。

Phemie Chong 12 歲時移民英國,在英國居住期間,她一度以為這輩子都不會再接觸與版畫有關的事物。然而,生活有時會帶來意想不到的驚喜。在愛丁堡學習版畫後,Phemie 搬到布達佩斯,並在那裡遇見了來自澳洲的丈夫。後來,他們一起搬到香港,她發現香港幾乎沒有人販售手工版畫。

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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