
艺术家Khim Hipol于「捕捉摄影节」的展览带有抗争和爱国色彩
主要透过镜头进行创作的温哥华艺术家Khim Hipol表示,自己以促进教育为创作艺术的目的。他的动机直接了当,因为他担心菲律宾移民的孩子不了解菲律宾的国家象征,以及该国的抗争史。

主要透过镜头进行创作的温哥华艺术家Khim Hipol表示,自己以促进教育为创作艺术的目的。他的动机直接了当,因为他担心菲律宾移民的孩子不了解菲律宾的国家象征,以及该国的抗争史。

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Independent arts journalism needs readers like you!
If you value stories like this, please consider supporting Pancouver.