
导演许家维透过《在圣堂里的一场演出》重新探索西班牙殖民台湾的历史
台湾导演兼艺术家许家维的2024年作品《在圣堂里的一场演出》以北台湾和平岛的考古挖掘现场为电影开场。考古学家在停车场下小心翼翼地将人骨上的泥块刷掉。镜头往上俯视,展示出古墓中数具已沈睡数百年的人骨。

台湾导演兼艺术家许家维的2024年作品《在圣堂里的一场演出》以北台湾和平岛的考古挖掘现场为电影开场。考古学家在停车场下小心翼翼地将人骨上的泥块刷掉。镜头往上俯视,展示出古墓中数具已沈睡数百年的人骨。

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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