Swiss psychiatrist Carl Jung came up with the term synchronicity to describe meaningful coincidences in the world around us.
In the second of a six-part series on ties between on Canada, the Netherlands, and Taiwan, Pancouver reviews a 2022 Canadian tour by Kanatal.
Pancouver created the series in partnership with Taiwan Insight, which is the online magazine of the Taiwan Studies Programme at the University of Nottingham.
Many students who come from villages and remote areas are unfamiliar with international travel and rely on consultants.
Affirming the identities of Muslim students and racialized learners is a way of creating a positive classroom culture during Ramadan.
Kumar often plays Indian patriots in action movies, bit it irks some in his home country that he travels with a Canadian passport.
Education is the great equalizer—the best and brightest should not have to worry about financial barriers, including sky-high tuition fees.
An academic says that the illusion of science that surrounds immigration numbers and their emotive force make them powerful political tools.
Hundreds of thousands of Rohingya people fled to neighbouring Bangladesh where they live in poor conditions.
This is the fourth chapter of John Price’s six-part series, The BC Government and the Dispossession of Japanese Canadians (1941-1949),
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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