
Thea Loo 与 Jeremiah Reyes 在纪录片《Inay(妈妈)》中,以镜头对准自己,探讨亲子关系等普世主题
当 Thea Loo 着手制作并执导一部关于加拿大住家看护计画的纪录片时,她心中有两个主要动机。首先,是出于个人原因——希望帮助她的丈夫、摄影师 Jeremiah Reyes,走出忧郁症的阴霾。她想,如果两人能一同完成《Inay(妈妈)》,也许能改善 Reyes 与他曾经担任住家看护的母亲之间的关系。

当 Thea Loo 着手制作并执导一部关于加拿大住家看护计画的纪录片时,她心中有两个主要动机。首先,是出于个人原因——希望帮助她的丈夫、摄影师 Jeremiah Reyes,走出忧郁症的阴霾。她想,如果两人能一同完成《Inay(妈妈)》,也许能改善 Reyes 与他曾经担任住家看护的母亲之间的关系。

The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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