PuSh Festival進駐藝術家Rakesh Sukesh構思以「微歧視」為主題的表演項目
Kenneth Wong
December 28, 2022
當我準備撰寫這篇關於編舞者Rakesh Sukesh的文章時，以他被歧視的一次奇怪經歷作起頭似乎合適不過。那次經歷除了讓Rakesh留下深刻印象，更加是報章編輯慣常用作文章開首的那種軼事。
Tag: PuSh International Performing Arts Festival
PuSh Festival进驻艺术家Rakesh Sukesh构思以「微歧视」为主题的表演项目
Kenneth Wong
December 28, 2022
当我准备撰写这篇关于编舞者Rakesh Sukesh的文章时，以他被歧视的一次奇怪经历作起头似乎合适不过。那次经历除了让Rakesh留下深刻印象，更加是报章编辑惯常用作文章开首的那种轶事。
PuSh Festival restores its international lustre with nuanced perspectives on identity
Charlie Smith
December 20, 2022
Festival director of programming Gabrielle Martin is highlighting the complexity of diversity—something she felt when she visited Zimbabwe.
编舞者兼舞蹈家Smail Kanouté在《Never Twenty One》向枪械暴力的年轻黑人遇害者致敬
Kenneth Wong
December 18, 2022
跨界别艺术家Smail Kanouté的舞蹈制作、影片及平面设计无论在哪里展出都会引起哄动。个中的原因，可能是因为这名马里裔法国人总能够以天马行空和富有情感的方式将字母呈现出来。
編舞者兼舞蹈家Smail Kanouté在《Never Twenty One》向槍械暴力的年輕黑人遇害者致敬
Kenneth Wong
December 18, 2022
跨界別藝術家Smail Kanouté的舞蹈製作、影片及平面設計無論在哪裡展出都會引起哄動。箇中的原因，可能是因為這名馬里裔法國人總能夠以天馬行空和富有情感的方式將字母呈現出來。
Choreographer and dancer Smail Kanouté honours young Black victims of gun violence in Never Twenty One
Charlie Smith
December 18, 2022
Kanouté integrates several artforms into his practice, which is rooted in his French-Malian identity and his exposure to many cultures.
PuSh Festival tackles linguistic imperialism with Jaha Koo’s Lolling and Rolling
Charlie Smith
November 23, 2022
At the PuSh International Performing Arts Festival, the South Korean theatre maker and composer addresses discrimination of a different sort.
PuSh Festival進駐藝術家Rakesh Sukesh構思以「微歧視」為主題的表演項目
Kenneth Wong
December 28, 2022
PuSh Festival进驻艺术家Rakesh Sukesh构思以「微歧视」为主题的表演项目
Kenneth Wong
December 28, 2022
PuSh Festival restores its international lustre with nuanced perspectives on identity
Charlie Smith
December 20, 2022
编舞者兼舞蹈家Smail Kanouté在《Never Twenty One》向枪械暴力的年轻黑人遇害者致敬
Kenneth Wong
December 18, 2022
編舞者兼舞蹈家Smail Kanouté在《Never Twenty One》向槍械暴力的年輕黑人遇害者致敬
Kenneth Wong
December 18, 2022
Choreographer and dancer Smail Kanouté honours young Black victims of gun violence in Never Twenty One
Charlie Smith
December 18, 2022
PuSh Festival tackles linguistic imperialism with Jaha Koo’s Lolling and Rolling
Charlie Smith
November 23, 2022
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.