澳洲種族歧視專員索奉馬賽恩（Tim Soutphommasane）在2018年發表任內最後一次演說，指責當地媒體煽動了對種族群體的仇恨，而廣播公司更應付上最大責任。現正擔任牛津大學首席多元化官（Chief Diversity Officer）的索奉馬賽恩例出數個例子。具體而言，一些在全國廣播節目挑起種族仇恨的評論員，曾在節目中要求人們返回他們原來的居住地，但未有受到所屬電視網絡的任何處分。
Commissioner Kasari Govender denounced social media rather than broadcasters and columnists for a big increase in reported hate crimes.
Baldwin inspired celebrated filmmakers such as Spike Lee and Barry Jenkins, along with generations of writers and intellectuals.
Woo feels a responsibility for remembering the 100th anniversary because he represents the province most ardently for Chinese exclusion.
As a great soccer player is laid to rest, a professor at Pontifical Catholic University of São Paulo considers Pelé’s legacy off the field.
Sukesh, an Indian-born and Belgium-based dancer and choreographer, is working with award-winning Vancouver playwright Marcus Youssef.
當我準備撰寫這篇關於編舞者Rakesh Sukesh的文章時，以他被歧視的一次奇怪經歷作起頭似乎合適不過。那次經歷除了讓Rakesh留下深刻印象，更加是報章編輯慣常用作文章開首的那種軼事。
当我准备撰写这篇关于编舞者Rakesh Sukesh的文章时，以他被歧视的一次奇怪经历作起头似乎合适不过。那次经历除了让Rakesh留下深刻印象，更加是报章编辑惯常用作文章开首的那种轶事。
在Mostafa Keshvari的新电影作品《Colorblind》中，新来的租客让房东Walton吃了一惊：原来这名叫Magdalene Whyte的单亲妈妈兼艺术家是一名黑人。
在Mostafa Keshvari的新電影作品《Colorblind》中，新來的租客讓房東Walton吃了一驚：原來這名叫Magdalene Whyte的單親媽媽兼藝術家是一名黑人。退休前任職消防員的Walton是一名種族主義者，但他沒有料到Magdalene的白人母親會為女兒租下單位。Magdalene其實是被領養的，而且在一個天主教家庭成長，所以才有一個看起來是白人的名字。
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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