台灣 DJ 汝妮 (Dungi Sapor) 融合傳統歌謠和電子節拍，將年輕人重新與原住民文化聯繫起來
Mei-Chen Chen
August 27, 2023
DJ 汝妮 (Dungi Sapor) 在她的音樂影片《 I Ho Yan 》中跨足了兩個世界。傳統而豐富的原住民聲音與充滿脈動的電子節拍交織在一起。同一影片中，汝妮身穿阿美族的傳統服飾出現在台灣的森林和海岸線，以及在華麗的夜店中搖身一變為現代DJ，形成了強烈對比。
Tag: TAIWANfest
Katrina Chen: Unveiling gender inequality through historic ghostly tales
Katrina Chen
August 26, 2023
Have you ever wondered why female ghosts are often more terrifying than male ghosts? Prof. Shu-Chun Yu will answer this question at TAIWANfest.
電影展示圖書館員曹永和如何打破以中國視角來檢視台灣歷史的既定假設
Wish Chou
August 25, 2023
在多倫多和溫哥華的台灣文化節放映的一部紀錄片中，呈現了一位歷史學家談到在台北士林區的兩位傑出前輩。根據吳叡人的說法，這兩位老人—史明和曹永和，在20世紀走上了截然不同的道路。
电影展示图书馆员曹永和如何打破以中国视角来视图台湾历史的既定假设
Wish Chou
August 25, 2023
在多伦多和温哥华的台湾文化节放映的一部纪录片中，呈现了一位历史学家谈到在台北士林区的两位杰出前辈。根据吴睿人的说法，这两位老人—史明和曹永和，在20世纪走上了截然不同的道路。
Film reveals how librarian Tsao Yung-ho shattered assumptions that Taiwanese history should be viewed through Chinese lens
Charlie Smith
August 25, 2023
TAIWANfest is exploring historic ties between the East Asian nation and the Netherlands, which Tsao researched for decades.
故宫是谁的？透视博物馆的挑战与机会
Ann Cheng
August 23, 2023
近来，全球的博物馆掀起归还收藏品的反思浪潮，讨论台湾故宫文物定位的声音也不曾少过。 1930年代，因为中国与日本的战争，中国政府将历朝历代的宝物从北京故宫博物院迁到南方。后来，又再发生内战，蒋介石将数百箱文物以船运至台湾，并在 1965 年成立了「台北故宫博物院」。
故宮是誰的？透視博物館的挑戰與機會
Ann Cheng
August 23, 2023
近來，全球的博物館掀起歸還收藏品的反思浪潮，討論台灣故宮文物定位的聲音也不曾少過。1930年代，因為中國與日本的戰爭，中國政府將歷朝歷代的寶物從北京故宮博物院遷到南方。
Former director explains why Taiwan’s National Palace Museum is unable to share world-class Chinese artifacts with the West
Charlie Smith
August 23, 2023
Jen Yi-Lin will speak at TAIWANfest Toronto and Vancouver TAIWANfest about the National Palace Museum’s incredible collections.
Self-Portraits: About Innocence exhibition at TAIWANfest reveals how children see themselves
Charlie Smith
August 21, 2023
In the Innocence show, curator Jessica Sung paired videos of children speaking with their paintings made up of lines, dots, and patterns.
《国际桥牌社外传：和平归来》展示了医院封锁期间员工和患者如何应对非典型肺炎（SARS）危机
Wish Chou
August 18, 2023
这一部引人入胜的新剧集是关于一种来自中国的致命病毒，它依靠空气传播且具有高传染性。七段激动人心的影集戏剧化地描述了患者的恐惧、政治人物的冷漠、记者的勇敢，以及医护人员的英勇和愤怒。但是这部剧不是关于COVID-19的；《国际桥牌社外传：和平归来》围绕着2003年台湾爆发的非典型肺炎（SARS）疫情展开。
台灣 DJ 汝妮 (Dungi Sapor) 融合傳統歌謠和電子節拍，將年輕人重新與原住民文化聯繫起來
Mei-Chen Chen
August 27, 2023
Katrina Chen: Unveiling gender inequality through historic ghostly tales
Katrina Chen
August 26, 2023
電影展示圖書館員曹永和如何打破以中國視角來檢視台灣歷史的既定假設
Wish Chou
August 25, 2023
电影展示图书馆员曹永和如何打破以中国视角来视图台湾历史的既定假设
Wish Chou
August 25, 2023
故宫是谁的？透视博物馆的挑战与机会
Ann Cheng
August 23, 2023
故宮是誰的？透視博物館的挑戰與機會
Ann Cheng
August 23, 2023
Self-Portraits: About Innocence exhibition at TAIWANfest reveals how children see themselves
Charlie Smith
August 21, 2023
《国际桥牌社外传：和平归来》展示了医院封锁期间员工和患者如何应对非典型肺炎（SARS）危机
Wish Chou
August 18, 2023
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.