
Thea Loo 與 Jeremiah Reyes 在紀錄片《Inay(媽媽)》中,以鏡頭對準自己,探討親子關係等普世主題
當 Thea Loo 著手製作並執導一部關於加拿大住家看護計畫的紀錄片時,她心中有兩個主要動機。首先,是出於個人原因——希望幫助她的丈夫、攝影師 Jeremiah Reyes,走出憂鬱症的陰霾。她想,如果兩人能一同完成《Inay(媽媽)》,也許能改善 Reyes 與他曾經擔任住家看護的母親之間的關係。

當 Thea Loo 著手製作並執導一部關於加拿大住家看護計畫的紀錄片時,她心中有兩個主要動機。首先,是出於個人原因——希望幫助她的丈夫、攝影師 Jeremiah Reyes,走出憂鬱症的陰霾。她想,如果兩人能一同完成《Inay(媽媽)》,也許能改善 Reyes 與他曾經擔任住家看護的母親之間的關係。

GEMFest 2025 will screen NiiMisSak, which features interviews with seven B.C.-based Indigenous women filmmakers in addition to Obamsawin.

Yadegar is thrilled that her film about a student coping with financial challenges and legal restrictions in Canada will open GEMFest.

The three main characters in Jerome Yoo’s Mongrels are a widowed father, his teenage son, and his young daughter.

This weekend, LNY Splash and the VIFF Centre are co-presenting films about Asian families to get into the Lunar New Year spirit.

A family photo sends director Dieu Hao Do on a quest around the world in Hao Are You, which will be screened at the VIFF Centre on February 8.

Geum-soon (Kim Yeong-ok), Eun-sim (Na Moon-hee), and Tae-ho (Keun-hyong Park) savour the joy of walking along the beach in Picnic.

MENA will screen HAIYU – Rebel Singer Mariem Hassan and the Struggle for a Free Western Sahara on Sunday (January 26) in the Vancity Theatre.

在蔡英文当选台湾首位女总统的那一刻,美国电影制作人葛静文 (Vanessa Hope) 知道自己正在见证历史。2016年,蔡英文竞选总部胜选之夜,一幅大型电子看板用英文打出三个大字——“We Are Taiwanese.(我们是台湾人。)”

在蔡英文當選台灣首位女總統的那一刻,美國電影製作人葛靜文 (Vanessa Hope) 知道自己正在見證歷史。2016年,蔡英文競選總部勝選之夜,一幅大型電子看板用英文打出三個大字——“We Are Taiwanese.(我們是台灣人。)”










The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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