有时，一部纪录片能揭示无数关于中东的新闻报导中未曾提及的真相。在《Aisha’s Story》（Aisha 的故事）中，这部即将在温哥华 DOXA 纪录片影展揭幕的作品中，联合导演 Elizabeth Vibert 与 Chen Wang 探索食物在巴勒斯坦认同中所扮演的内核角色。影片主角 Aisha Azzam 在约旦经营家族的谷物磨坊，并愉快地解释她所贩售的食品为何是巴勒斯坦文化遗产的象征。
有時，一部紀錄片能揭示無數關於中東的新聞報導中未曾提及的真相。在《Aisha’s Story》（Aisha 的故事）中，這部即將在溫哥華 DOXA 紀錄片影展揭幕的作品中，聯合導演 Elizabeth Vibert 與 Chen Wang 探索食物在巴勒斯坦認同中所扮演的核心角色。
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Independent arts journalism needs readers like you!
If you value stories like this, please consider supporting Pancouver.