Chen grew up in Taiwan but also studied in Europe—and she blends these influences into wearable works of art that respect the natural world.
来⾃台湾的服装设计师陈翊⽻描述⾃⼰是个有创造⼒和实验精神的⼈，这在她的发型上也显 ⽽易⾒：在她乌⿊的长发下⽅是混合了⾦⾊和银⾊的发丝。陈的服装设计则更加前卫，且相当看重天然染⾊、可持续性和以源⾃⼟地的纤维加以编 织。 这当中也包含由她所居住的台湾中部城市台中及其周边地区搜集来的材料。
來⾃台灣的服裝設計師陳翊⽻描述⾃⼰是個有創造⼒和實驗精神的⼈，這在她的髮型上也顯 ⽽易⾒：在她烏⿊的長髮下⽅是混合了⾦⾊和銀⾊的髮絲。陳的服裝設計則更加前衛，且相當看重天然染⾊、可持續性和以源⾃⼟地的纖維加以編 織。 這當中也包含由她所居住的台灣中部城市台中及其周邊地區搜集來的材料。
Curiosity led Chen, a master of natural dyes, on research expeditions to Southwest China, several Japanese cities, and across Taiwan.
常言道，好奇心可以改变世界。知名台湾染织艺术家陈景林研究了数百种源自植物和树木的颜料，证明这种说法所言极是。为了研究天然染料，陈景林进行了深入考察并撰写了多部权威著作，大大提升了设计师们对此工艺的了解，更在台湾和海外触发了一股可持续时装和当代艺术热潮。
常言道，好奇心可以改變世界。知名台灣染織藝術家陳景林研究了數百種源自植物和樹木的顏料，證明這種說法所言極是。為了研究天然染料，陳景林進行了深入考察並撰寫了多部權威著作，大大提升了設計師們對此工藝的了解，更在台灣和海外觸發了一股可持續時裝和當代藝術熱潮。
不少伟大艺术家都曾展现能屈能伸的能力和意愿。以梵高（Vincent Van Gogh）为例，他在1885年完成的画作《吃马铃薯的人》（The Potato Eaters）和其他早期作品惯用大地色系，气氛也比较阴沉，到了人生后期才转用缤纷夺目的色彩。
不少偉大藝術家都曾展現能屈能伸的能力和意願。以梵高（Vincent Van Gogh）為例，他在1885年完成的畫作《吃馬鈴薯的人》（The Potato Eaters）和其他早期作品慣用大地色系，氣氛也比較陰沉，到了人生後期才轉用繽紛奪目的色彩。
Smith, a Kwakwaka’wakw-Oweekeno mixed-race painter, has designed one of the lanterns at Ocean Artworks to celebrate Lunar New Year.
Pancouver aims to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and their organizations.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Pancouver strives to build a more equal and empathetic society by advancing appreciation of visual and performing arts—and cultural communities—through education. Our goal is to elevate awareness about underrepresented artists and the organizations that support them.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.