Amanda Sum的《New Age Attitudes: Live in Concert》虽然包含歌曲和故事元素，但绝非音乐剧！
Kenneth Wong
May 7, 2023
对跨领域艺术家Rebecca (Becky) Bair来说，「黑人性」（blackness）代表着人多势众和机会。身为素里黑人艺术中心（Black Arts Centre）董事的她强调，在纪录黑人历史时，仅聚焦于他们遭遇的残酷待遇并不足够。
Tag: the Cultch
Amanda Sum的《New Age Attitudes: Live in Concert》雖然包含歌曲和故事元素，但絕非音樂劇！
Kenneth Wong
May 7, 2023
由約翰·藍儂以至賈斯汀·比伯等作曲家都曾創作過關於道歉的作品，但溫哥華唱作人Amanda Sum的作品卻是獨一無二。在她名為《New Age Attitudes》的首張專輯內，「Sorry」這首作品以簡單的民謠吉他曲調為開首。這讓Amanda動人的歌聲得以充份發揮，唱出了對系統性歧視和流傳已久的種族定型的控訴，當中更包含了強烈的個人觀點。
Amanda Sum integrates songs and storytelling in New Age Attitudes: Live in Concert, but don’t call it musical theatre!
Charlie Smith
May 7, 2023
Sum, a theatre and musical artist, will combine both of her art forms at the Cultch Historic Theatre from May 11 to 14.
Yvonne Wallace作品《útszan》将探讨关怀和语言收复的喜悦
Kenneth Wong
May 2, 2023
在Yvonne Wallace开始为《útszan》（改善）进行采排前一天，她与母亲一同回顾了台词的读音。这演出的部份对白是以ucwalmícwts（人民的语言）来编写。她透过Zoom视频会议向Pancouver表示：「当时我们正在练习「q’a7」这个字（食物）的发音。这是非常短促，并以声门来发音的词汇。我以为自己懂得如何把它读出来。」她的母亲是精通ucwalmícwts的语言教师，当时亦有协助Yvonne掌握正确的读音。
Yvonne Wallace作品《útszan》將探討關懷和語言收復的喜悅
Kenneth Wong
May 2, 2023
在Yvonne Wallace開始為《útszan》（改善）進行採排前一天，她與母親一同回顧了台詞的讀音。這演出的部份對白是以ucwalmícwts（人民的語言）來編寫。她透過Zoom視訊會議向Pancouver表示：「當時我們正在練習「q’a7」這個字（食物）的發音。這是非常短促，並以聲門來發音的詞彙。我以為自己懂得如何把它讀出來。」她的母親是精通ucwalmícwts的語言教師，當時亦有協助Yvonne掌握正確的讀音。
Caretaking, and the joy of language reclamation with Yvonne Wallace in útszan
becky tu
May 2, 2023
Combining ancestral knowledge with her theatre background, Wallace is merging two worlds, aiming to create something very special to witness on stage.
Urban Ink and the Cultch release launch video in advance of TRANSFORM Cabaret Festival—The Digital Remix 2023
Charlie Smith
March 21, 2023
According to TRANSFORM co-curator Corey Payette, the event encourages collaboration between Indigenous and non-Indigenous artists.
Paradise, Parsi traditions, kulfi, and a vulture come together in comedic Cultch play on humanity’s quest for immortality
Charlie Smith
March 17, 2023
In Paradise or the Impermanence of Ice Cream, co-writers Jacob Rajan and Justin Lewis explore how characters deal with their own mortality.
温东文化中心喜剧以天堂、帕西传统、印度冰淇淋和秃鹫诉说人类追求永生的故事
Kenneth Wong
March 17, 2023
新西兰奥克兰舞台剧艺术家Jacob Rajan在有份编写和参演，并即将在温东文化中心（the Cultch）上演的舞台剧作出了崭新尝试。在《In Paradise or the Impermanence of Ice Cream》中，他与合著者和导演Justin Lewis将会探讨由Jacob饰演的七个角色如何追求永生。Jacob透过Zoom视频会议向Pancouver称：「这是一部有趣荒诞的喜剧，可以引得观众捧腹大笑。当然，剧中还有一只宏伟的秃鹫布偶。」
溫東文化中心喜劇以天堂、帕西傳統、印度冰淇淋和禿鷲訴說人類追求永生的故事
Kenneth Wong
March 17, 2023
紐西蘭奧克蘭舞台劇藝術家Jacob Rajan在有份編寫和參演，並即將在溫東文化中心（the Cultch）上演的舞台劇作出了嶄新嘗試。在《In Paradise or the Impermanence of Ice Cream》中，他與合著者和導演Justin Lewis將會探討由Jacob飾演的七個角色如何追求永生。Jacob透過Zoom視訊會議向Pancouver稱：「這是一部有趣荒誕的喜劇，可以引得觀眾捧腹大笑。當然，劇中還有一隻宏偉的禿鷲布偶。」
Amanda Sum的《New Age Attitudes: Live in Concert》虽然包含歌曲和故事元素，但绝非音乐剧！
Kenneth Wong
May 7, 2023
Amanda Sum的《New Age Attitudes: Live in Concert》雖然包含歌曲和故事元素，但絕非音樂劇！
Kenneth Wong
May 7, 2023
Yvonne Wallace作品《útszan》将探讨关怀和语言收复的喜悦
Kenneth Wong
May 2, 2023
Yvonne Wallace作品《útszan》將探討關懷和語言收復的喜悅
Kenneth Wong
May 2, 2023
Caretaking, and the joy of language reclamation with Yvonne Wallace in útszan
becky tu
May 2, 2023
Urban Ink and the Cultch release launch video in advance of TRANSFORM Cabaret Festival—The Digital Remix 2023
Charlie Smith
March 21, 2023
温东文化中心喜剧以天堂、帕西传统、印度冰淇淋和秃鹫诉说人类追求永生的故事
Kenneth Wong
March 17, 2023
溫東文化中心喜劇以天堂、帕西傳統、印度冰淇淋和禿鷲訴說人類追求永生的故事
Kenneth Wong
March 17, 2023
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.