Billy Marchenski is choreographer of Beauty and the Beast: My Life, as well as a creative collaborator and performer.
Sharma feels that his Regina upbringing taught him the importance of kindness, respect, and wanting to make people feel welcome.
According to François Houde, a journalist at Le Nouvelliste, Prism is “a 60-minute getaway from the world as we know it”.
The Cultch and Urban Ink will present the world premiere of Homecoming at the Historic Theatre in East Vancouver from May 2 to 12.
In Parifam, Nazanin Shoja (left) and Foojan Nixie Shabrang are two former childhood friends in Iran who reconnect as adults in Canada.
Playwright Tai Amy Grauman’s You used to call me Marie… will be performed from April 18 to 28 at the York Theatre in East Vancouver.
C’est présenté comme une histoire épique d’amour Métis. You used to call me Marie… par dramaturge Tai Amy Grauman apportera huit histoires entremêlées d’amour et de la résistance au théâtre York à Vancouver.
Nass, artistic and executive director of the frank theatre company, brings a breadth of experiences to this play about a Jamaican family.
One of Vancouver’s most anticipated theatre shows, Fairview, charts new territory by having two directors of different races and genders.
Te Tangi ā te Tūī is a new work of Maori circus theatre, which focuses on love and loss, nature, and the impact of colonialism.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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