卑诗省的主流媒体几乎从不关注白人议题。然而，最新的温哥华美术馆展览《白之观念(Conceptions of White)》可能会改变这一现状。由 John G. Hampton 和 Lillian O’Brien-David 联合策划的《白之观念》展览深入探讨白人身份和族群如何形塑世界。根据 O’Brien-David 的说法，这项展览「提供了详细的文化背景和细腻的见解，帮助大众理解当代白人身份的不同面向」。
卑詩省的主流媒體幾乎從不關注白人議題。然而，最新的溫哥華美術館展覽《白之觀念(Conceptions of White)》可能會改變這一現狀。由 John G. Hampton 和 Lillian O’Brien-David 聯合策劃的《白之觀念》展覽深入探討白人身份和族群如何形塑世界。根據 O’Brien-David 的說法，這項展覽「提供了詳細的文化背景和細膩的見解，幫助大眾理解當代白人身份的不同面向」。
Mainstream media almost never focus on whiteness. However, a new Vancouver Art Gallery exhibition, Conceptions of White, might change that.
Respini notes that the word curator originates from Latin “to care”, and she plans to approach the next year of expansion with this in mind.
Two-spirit Indigenous advocate Jaylene Tyme knew how to strike a pose while wearing the famed dress on the Vancouver Art Gallery steps.
Respini, previously Barbara Lee Chief Curator at the Institute for Contemporary Art Boston, brings an international perspective to the VAG.
Tanavoli played a pivotal role in advancing modern Iranian art before and after he immigrated to Metro Vancouver.
![Two Taiwanese Indigenous artists, Anchi Lin [Ciwas Tahos] and Vava Isingkaunan, stand on a spiral staircase looking to the bottom left of the frame.](https://pancouver.ca/wp-content/uploads/2023/04/Ciwas_Vava-scaled-1.jpg)
How heavy is the weight of your heritage? A reflection on identity, inspired by Guud san glans Robert Davidson’s artwork.
家族背景对一个人的影响有多深?到底身份是你的包袱，抑或支撑着你的基础?4月2日，两名台湾原住民艺术家进行了意味深长而庄严的演出，以回应温哥华美术馆名为Guud san glans Robert Davidson: A Line That Bends But Does Not Break的展览。林安琪（Ciwas Tahos）是泰雅族的艺术家，而简志霖（Vava Isingkaunan）则是布农族的表演者。两人透过歌声、传统乐器和语言上演了一场土地确认（land acknowledgement），表达他们获邀到此的荣幸，以及在这段期间多加学习的意愿。
家族背景對一個人的影響有多深?到底身份是你的包袱，抑或支撐著你的基礎?4月2日，兩名台灣原住民藝術家進行了意味深長而莊嚴的演出，以回應溫哥華美術館名為Guud san glans Robert Davidson: A Line That Bends But Does Not Break的展覽。林安琪（Ciwas Tahos）是泰雅族的藝術家，而簡志霖（Vava Isingkaunan）則是布農族的表演者。兩人透過歌聲、傳統樂器和語言上演了一場土地確認（land acknowledgement），表達他們獲邀到此的榮幸，以及在這段期間多加學習的意願。
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
Independent arts journalism needs readers like you!
If you value stories like this, please consider supporting Pancouver.