Vancouver Art Gallery appoints three local curators in residence: Pantea Haghighi, Makiko Hara, and Nya Lewis
Charlie Smith
March 21, 2024
Tag: Vancouver Art Gallery
艺术家 Lani Maestro 的作品《没有痛苦比这个身体更痛苦 (No Pain Like This Body)》被选为全球最顶尖的公共艺术作品之一
Mei-Chen Chen
March 9, 2024
一家国际艺术和设计制造公司将温哥华美术馆外展的一件设备作品列为2023年12件杰出公共艺术计划之一。Lani Maestro 的作品《没有痛苦比这个身体更痛苦 (No Pain Like This Body) 》于2022年11月18日至2023年4月9日期间于 West Georgia Street 的展场展出。
藝術家 Lani Maestro 的作品《沒有痛苦比這個身體更痛苦 (No Pain Like This Body)》被選為全球最頂尖的公共藝術作品之一
Mei-Chen Chen
March 9, 2024
一家國際藝術和設計製造公司將溫哥華美術館外展的一件裝置作品列為2023年12件傑出公共藝術計劃之一。Lani Maestro 的作品《沒有痛苦比這個身體更痛苦 (No Pain Like This Body) 》於2022年11月18日至2023年4月9日期間於 West Georgia Street 的展場展出。
Artist Lani Maestro’s No Pain Like This Body included among world’s top public art works
Charlie Smith
March 9, 2024
An art and design fabrication company named a Vancouver Art Gallery Offsite installation as one of 12 great examples of public art.
밴쿠버 아트 갤러리, S. Heijin Lee 초청: 한국 미적 기준에 대한 지리정치학적 논의
Geyongmin (Mia) Kim
January 20, 2024
페미니스트 학자인 S. Heijin Lee는 많은 한인 커뮤니티가 형성된 캘리포니아 남부에서 자랐습니다. 1990년대 말에서 2000년대 초 대학에 다니던 그녀는 영미권 매체에서 한국인의 성형수술에 관한 기사를 수없이 접했습니다. 특히 서구 언론에서는 한국인들이 백인처럼 보이기 위해 성형수술을 한다는 의견을 많이 볼 수 있었습니다.
Vancouver Art Gallery invites American scholar S. Heijin Lee to discuss geopolitics of Korean beauty
Charlie Smith
January 20, 2024
Lee will question conventional narratives about the popularity of plastic surgery in South Korea on Wednesday (January 24).
Vancouver Art Gallery artist-in-residence Jillian Christmas meditates about how to transform grief into joy
Charlie Smith
January 14, 2024
Christmas has experienced tears transmuting into giggles. In fact, some of her greatest laughter has come in moments of profound grief.
温哥华美术馆驻地艺术家 Jillian Christmas 深思如何化悲伤为喜悦
Mei-Chen Chen
January 14, 2024
温哥华美术馆的新任驻地诗人 Jillian Christmas 曾将泪水转化为欢笑。事实上，她表示她生命中最大的欢乐就是来自于深度的悲伤时刻。这也是为什么这位非裔加勒比海加拿大诗人的新驻地研究被命名为「迈向喜悦 (Toward Delight)」的原因。此外，她希望在温哥华美术馆 (Vancouver Art Gallery) 深耕这样的情感。
溫哥華美術館駐地藝術家 Jillian Christmas 深思如何化悲傷為喜悅
Mei-Chen Chen
January 14, 2024
溫哥華美術館的新任駐地詩人 Jillian Christmas 曾將淚水轉化為歡笑。事實上，她表示她生命中最大的歡樂就是來自於深度的悲傷時刻。這也是為什麼這位非裔加勒比海加拿大詩人的新駐地研究被命名為「邁向喜悅 (Toward Delight)」的原因。此外，她希望在溫哥華美術館 (Vancouver Art Gallery) 深耕這樣的情感。
Vancouver Maritime Museum’s lobbyists aim to convince feds to fund an exhibit
Charlie Smith
December 10, 2023
One of the lobbyists, David Angus, is president of the Capital Hill Group and former caucus liaison to former prime minister Brian Mulroney.
Vancouver Art Gallery appoints three local curators in residence: Pantea Haghighi, Makiko Hara, and Nya Lewis
Charlie Smith
March 21, 2024
艺术家 Lani Maestro 的作品《没有痛苦比这个身体更痛苦 (No Pain Like This Body)》被选为全球最顶尖的公共艺术作品之一
Mei-Chen Chen
March 9, 2024
藝術家 Lani Maestro 的作品《沒有痛苦比這個身體更痛苦 (No Pain Like This Body)》被選為全球最頂尖的公共藝術作品之一
Mei-Chen Chen
March 9, 2024
Artist Lani Maestro’s No Pain Like This Body included among world’s top public art works
Charlie Smith
March 9, 2024
밴쿠버 아트 갤러리, S. Heijin Lee 초청: 한국 미적 기준에 대한 지리정치학적 논의
Geyongmin (Mia) Kim
January 20, 2024
Vancouver Art Gallery invites American scholar S. Heijin Lee to discuss geopolitics of Korean beauty
Charlie Smith
January 20, 2024
Vancouver Art Gallery artist-in-residence Jillian Christmas meditates about how to transform grief into joy
Charlie Smith
January 14, 2024
温哥华美术馆驻地艺术家 Jillian Christmas 深思如何化悲伤为喜悦
Mei-Chen Chen
January 14, 2024
溫哥華美術館駐地藝術家 Jillian Christmas 深思如何化悲傷為喜悅
Mei-Chen Chen
January 14, 2024
Vancouver Maritime Museum’s lobbyists aim to convince feds to fund an exhibit
Charlie Smith
December 10, 2023
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.