
In the documentary Replica, Chouwa Liang explores Chinese women’s intimate relationships with AI
Replica not only touches on generational differences and feminist dilemmas but also reveals humanity’s self-exploration in the digital age.

Replica not only touches on generational differences and feminist dilemmas but also reveals humanity’s self-exploration in the digital age.

“Falling Petals” is a poem about letting go, remembering without being crushed, and finding a reason to face tomorrow.

The poem juxtaposes elements such as AI, tariffs, and oil prices with the ephemeral presence of the cherry blossom.

Xinman traces the journey of a rose—its beauty, its silence, its mortality—and invites us to witness how love persists in a world of turmoil.

In this New Year’s ode for the Year of the Horse, The Brave Spring weaves a warm fable around the thread of “sugar”.

On Valentine’s Day, a B.C. poet asks what comes first—love or the morning?

The River Cannot Be Blamed explores affection as a natural, unstoppable current—deep, sometimes dangerous, yet irresistible.

Have you ever stood under a full moon and felt not romance, but a profound and startling loneliness?

This is not a “peaceful morning poem”—it is a meditation on consciousness before daylight and on listening as resistance.

In “What We Carry into the New Year”, the Canadian poet writes from a sweetness that has survived winter, time, and the knowledge of hurt.










The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
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