悅基在加拿大音樂產業中反思自身的中國與馬來西亞根源，分享動人故事
Mei-Chen Chen
November 8, 2024
多倫多新靈魂音樂家悅基 (Eunice Keitan) 表示，她在北美並不符合傳統的亞洲敘事。在 Jade Music Fest 的一場深入訪談中，她透過故事分享、原創音樂、影片及照片，闡述了原因。
Tag: Museum of Vancouver
Eunice Keitan shares compelling tale of reckoning with her Chinese and Malaysian roots in the Canadian music industry
Charlie Smith
November 8, 2024
Keitan has come a long way from being a 14-year-old guitarist who felt she had to shield her Asian identity.
Tŝilhqot’in National Government takes reconciliation to a new level in partnership with Museum of Vancouver
Charlie Smith
October 18, 2024
Sierra William, Loretta Jeff, and Chantu Williams sit with three of the 29 qatŝ’ay (coiled root baskets) back in Tŝilhqot’in territory.
Museum of Vancouver’s Denise Fong focuses on relational curating to unearth personal histories from racialized communities
Charlie Smith
September 23, 2024
While researching her PhD at UBC, Fong gained deep insights into how Chinese Canadian history is represented in museums.
Mirage, dans le musée de Vancouver, montre pourquoi une démocratie vivante asiatique bénéficie d’être examiné à la loupe
Annelise Knapp
June 8, 2024
Photographe et artiste de rue français JR a dit que “l’art n’est pas censé faire changer le monde – de changer des choses pratiques – mais de changer la perspicacité.” Une exemple frappante est Guernica de Pablo Picasso.
Museum of Vancouver’s Mirage exhibition shows how a vibrant Asian democracy benefits from artistic scrutiny
Charlie Smith
June 8, 2024
Documentary maker Sandy Lo and contemporary artist and photographer Yao Jui-Chung attended the opening of Mirage.
温哥华博物馆的《海市蜃楼》展览展示充满活力的亚洲民主如何从艺术家的审视中受益
William Zou
June 8, 2024
法国摄影师兼街头艺术家 JR 曾说过，「艺术不应该改变世界，改变实际事物，而应改变观念。」一个生动的例子是保罗·毕卡索（Pablo Picasso）的作品《格尔尼卡》（Guernica）。这幅令人震惊的画所描绘的苦难对人们如何看待西班牙内战有着深远影响。然而，这幅画并没有改变其结果。
溫哥華博物館的《海市蜃樓》展覽展示充滿活力的亞洲民主如何從藝術家的審視中受益
William Zou
June 8, 2024
法國攝影師兼街頭藝術家 JR 曾說過，「藝術不應該改變世界，改變實際事物，而應改變觀念。」一個生動的例子是保羅·畢卡索（Pablo Picasso）的作品《格爾尼卡》（Guernica）。這幅令人震驚的畫所描繪的苦難對人們如何看待西班牙內戰有著深遠影響。然而，這幅畫並沒有改變其結果。
艺术家姚瑞中将于温哥华博物馆举办台湾「蚊子馆」摄影展览
Mei-Chen Chen
April 18, 2024
在2010年，一位名叫姚瑞中 (Yao Jui-Chung) 的教授展开了一项非凡的艺术计划。这位居住在台北的教育家和艺术家给了他在台湾师范大学 (Taiwan Normal University) 美术系的学生一项抉择。
藝術家姚瑞中將於溫哥華博物館舉辦台灣「蚊子館」攝影展覽
Mei-Chen Chen
April 18, 2024
在2010年，一位名叫姚瑞中 (Yao Jui-Chung) 的教授展開了一項非凡的藝術計劃。這位居住在台北的教育家和藝術家給了他在台灣師範大學 (Taiwan Normal University) 美術系的學生一項抉擇。
悅基在加拿大音樂產業中反思自身的中國與馬來西亞根源，分享動人故事
Mei-Chen Chen
November 8, 2024
Eunice Keitan shares compelling tale of reckoning with her Chinese and Malaysian roots in the Canadian music industry
Charlie Smith
November 8, 2024
Tŝilhqot’in National Government takes reconciliation to a new level in partnership with Museum of Vancouver
Charlie Smith
October 18, 2024
Museum of Vancouver’s Denise Fong focuses on relational curating to unearth personal histories from racialized communities
Charlie Smith
September 23, 2024
Museum of Vancouver’s Mirage exhibition shows how a vibrant Asian democracy benefits from artistic scrutiny
Charlie Smith
June 8, 2024
温哥华博物馆的《海市蜃楼》展览展示充满活力的亚洲民主如何从艺术家的审视中受益
William Zou
June 8, 2024
溫哥華博物館的《海市蜃樓》展覽展示充滿活力的亞洲民主如何從藝術家的審視中受益
William Zou
June 8, 2024
艺术家姚瑞中将于温哥华博物馆举办台湾「蚊子馆」摄影展览
Mei-Chen Chen
April 18, 2024
藝術家姚瑞中將於溫哥華博物館舉辦台灣「蚊子館」攝影展覽
Mei-Chen Chen
April 18, 2024
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
This project is funded in part by the Government of Canada.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam Indian Band), Skwxwú7mesh (Squamish Nation), and Səl̓ílwətaɬ (Tsleil-Waututh Nation). With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.
This project is funded in part by the Government of Canada.
The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.