Vancouver International Music Festival includes masterclasses by artist-in-residence virtuosos

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Lynn Liu is president of the Canadian International Arts and Music Society, which organizes the festival.

The deadline is looming for talented young musicians to register for the Vancouver International Music Festival. This event includes masterclasses offered by virtuoso artists-in-residence, as well as student recitals. In addition, the exceptionally talented classical music instructors will perform at the same festival, which runs from August 18 to 23. It mostly takes place at the Vancouver Symphony Orchestra School of Music, with the closing gala scheduled at the Vancouver Playhouse.

Lynn Liu is president of the Canadian International Arts and Music Society. It has been organizing the Vancouver International Music Festival and the Vancouver International Music Competition since 2017 with a team of volunteers. Students must register for this year’s festival by July 15.

“I would like to involve more students, of course. And I want the public to be aware of this event in the summertime,” Liu tells Pancouver over Zoom. “If they have visitors or friends travelling from outside of Canada, they’re welcome to join the festival, too.”

She takes pride in the festival’s multicultural orientation, reflecting Vancouver’s diversity.

“We want to involve different cultures and music,” Liu emphasizes, before adding that “Indigenous people definitely play a very important role in our society.”

To that end, one of the 12 artists-in-residence is Russell Wallace. He is a highly regarded composer, producer, and traditional singer from the St’at’imc and Lil’wat Nation. In 2022, Wallace won a Leo Award for work on the TV series 1491. He is director of Indigenous Vocal Ensemble at Vancouver Community College.

From Toronto, the festival has invited James Anagnoson as an artist-in-residence. He is dean of The Glenn Gould School, which is exclusively dedicated to performance.

Watch the promotional video for the 2025 Vancouver International Music Festival

Chinese, Indian, and western classical music

For the second consecutive year, the Vancouver International Music Festival will invite two stars from the world of Chinese classical music as artists-in-residence. Zhongxi Wu, a graduate of Heilongiang Performing Arts University, has mastered the Chinese bamboo flute (dizi) and suona. Meanwhile, Shanghai-born pipa virtuoso Guilian Liu is the second Chinese classical musician invited as an artist-in-residence.

In addition, internationally renowned harpist Kaori Otake will also be there. She won the International Harp Contest and has performed at Carnegie Hall and the Rio International Harp Festival. And flautist Paolo Bortolussi, director of flute and contemporary chamber music at the UBC School of Music, is another of the artists-in-residence.

Other artists-in-residence include Canadian pianist and soloist Henri-Paul Sicsic, pianist and conductor Ian Parker, collaborative pianist Grace Huang, sarodist and tabla player Hriday Buddhdev, Vancouver Symphony Orchestra concertmaster and violinist Nicholas Wright, and cellist and Vancouver Academy of Music president Joseph Elworthy.

“The format is unique in the classical music world to involve both students and famous artists from all over the world,” Liu says. “The students not only perform themselves, they also have a learning experience with these wonderful artists.”

Plus, students see these artists-in-residents perform in front of audiences, further enriching their musical education.

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For more information on the Vancouver International Music Festival, visit the website. The registration fee for students includes participation in masterclass(es) and the festival performance fee.

Follow Charlie Smith on Bluesky @charliesmithvcr.bsky.social. Follow Pancouver on Instagram @PancouverMedia and on X @PancouverMedia. In addition, find Pancouver on Bluesky @pancouver.bsky.social.

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Charlie Smith

Pancouver editor Charlie Smith has worked as a Vancouver journalist in print, radio, and television for more than three decades.

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The Society of We Are Canadians Too created Pancouver to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.

We would like to acknowledge that we are gathered on the traditional and unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. With this acknowledgement, we thank the Indigenous peoples who still live on and care for this land.

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